Stoneybrookite

the best friends you’ll never have

Browsing in Ann M. Martin

Not long ago, there was a post on the BSC Snark livejournal comparing the TV actresses to the movie ones. Veteran BSC snarker 3-foot-6 mentioned that she felt that the tv show did a better job capturing the feelings of the books because the books were really more of a late 80s/mid 90s thing, whereas the movies came out in 1995. She says,

I recently decided the reason the movie sucks is that it was just made too late. The whole movie is so quintessentially 1995 – baby doll dresses! Girl power soundtrack! – and the books are so rooted in the late 80s and early 90s. The whole fashion/slang/culture aesthetic is off just enough that it doesn’t feel familiar to fans. Whereas the TV show is right there in the horrible fashion and shitty dialogue wheelhouse of the books.

This is an interesting point, because, as someone who started reading in 1993, the books that I read when they were new, which probably began around the 70s or so, are the ones that feel the most BSC to me. I understand that this is a blasphemy for many in the BSC fandom, since by this time, the quality had dropped down considerably and Ann was only writing outlines by this point. But like I have said before, BSC has never been something that I’ve read for the quality in the first place; it’s something I’ve always read for a feeling, for a fantasy. The books that came out in the mid-90s and later are the ones that conicide with my own childhood. They are the ones that didn’t already seem kind of outdated when I read them the first time around. Kristy’s Great Idea already felt a little old when I read it the first time at the end of first grade.

I’m not sure, actually, why so many people consider the BSC to be an 80s series in the first place. Yes, it started in 1986, but sales-wise, the series peaked in around 1992. Mary Anne and Dawn’s parents hadn’t even gotten married yet by the end of the 1980s. Only 29 regular series books, three Super Specials, and six Little Sister books had come out by December 1989. Going by numbers, the BSC is really more of a 90s phenomenon, in my opinion.

Perhaps I feel this way because I only became aware of the BSC series when I started school, and barely remember the late 80s. To me, the BSC is rooted in my childhood, which 1995 would probably be considered the apex of, and long-time readers of this blog or people who have interacted with me on various fora know that I make no bones about much preferring the ghostwritten books, ones that focus more on interesting topics such as boy drama and malling-used-as-a-verb.

I do realize that this is an unpopular opinion, though. Agree? Disagree? Should we do a final four bracket of the various BSC ghostwriters and Ann, ending in a Peter Lerangis vs Ann M. Martin smackdown? OMG I might actually do this.

Recently, there was a post in the BSC Snark livejournal community where a member had just seen Sixteen Candles for the first time and had the same reaction I did all those years ago, when I first saw that movie: how the hell is this Mary Anne’s favorite movie? It includes such topics as underage drinking, date rape, and people paying money to see a girl’s underwear.

Obviously, it was just a movie that was popular at the time the book was written–I believe it’s in The Ghost at Dawn’s House–and Ann was like, “Oh, family forgets sixteen-year-old’s birthday, but she ends up with the school hottie! Perfect for Mary Anne!” Actually, this is really strange, but I just tried looking up Sixteen Candles in the Complete Guide and it’s NOT THERE. Obviously, someone at Scholastic realized that this wasn’t an appropriate movie for their target audience to want to watch. Luckily, we do NOT censor the wiki and it’s in there.

It’s not uncommon for authors to stick a bit of themselves and their interests into the things they write. Sometimes, this works out fine. I am a huge fan of Meg Cabot, and Mia, in The Princess Diaries, is a character who has obviously inherited a lot of Meg’s interests. Mia sits around watching Buffy and Lifetime movies and makes references to topical pop culture events all the time. If you read Meg’s blog, as I do, you’d know that these are things that Meg is really into as well. And that’s ok, because these interests are pretty believable for a teenage girl. (I would personally LOVE to sit around and discuss TV and celebrities with Meg!)

Ann, however, as all fans of the BSC know well, is into, well, I Love Lucy and Wizard of OZ. Now, I would say it would be OK for one or two of the characters to be into these things. When I was a teenager, I watched a lot of old tv–I was even weirdly obsessed with this programming block on GSN they showed at like, 3 in the morning that was game shows from the 50s and 60s. I’ve Got a Secret/What’s My Line/To Tell the Truth, etc. But I was a weirdo who had few friends! EVERYONE in Stoneybrook, it seems, is well-acquinated with the plot of every Lucy episode and has seen OZ too many times to count. When Ann does try to insert references to current trends, like with Mary Anne loving Sixteen Candles, it often is a strange choice or inappropriate because Ann truly does not to get out much. Recall, if you will, Ann’s biography, where she recalled a “wild night with the girls” in college–EATING A TON OF ICE CREAM. Which is totally fine! There is not wrong with being pop culture illiterate, or a homebody. I think that in Main Street, where Ann makes zero pop culture references and writes about a bunch of kind-of-nerdy girls, plays to her strengths well, and uses her hobbies and interests in a way that doesn’t seem anachronistic for the age she is writing about.

This is one of the things that actually IMPROVED with the ghostwriters, I think. I trust Peter Lerangis to be pretty up on pop culture–I got into a twitter discussion with him a while ago about SOPA, and he knew who Louis CK was. (So do my parents, I guess–both my mom and my dad love his show. But still. I don’t think Ann would be familiar.) But anyway, once you get past the books where Ann was the actual author and no one was thanked for their help with the manuscript, you start getting references to things that were popular at the time, like 90210 and grunge and Hanson. There is a little less Lucy and a little more “I’ve been told I look like Jason Priestley.”

There is a downside to this, however. Like how many references in The Princess Diaries will be totally confusing to kids in ten years or so (Who is Jason Alexander and why did Britney Spears marry him?, they will ask), the references in the later BSC books very firmly place them in their years of publication. Whereas the endless old-stuff references just seem a little strange in the early books, but I don’t see that many things that really clearly mark them as late 80s/early 90s the way the later books are so clearly 90s.

So, you know, often I think the best thing is to just make up your own pop culture. Let U4Me go on tour with Spider and the Insects.

Last week I watched the movie Young Adult, which stars Charlize Theron and Patton Oswalt and was made by the people behind Juno, which I’ve never seen. Besides feeling lots and lots of secondhand embarrassment for Charlize Theron’s character, Patton Oswalt’s excellent turn at dramatic acting, and this song from Teenage Fanclub, the movie has one very important thing going for it. In the movie, Charlize Theron’s character’s profession is… wait for it… YA series ghostwriter!!!

Now we can imagine how Nola Thacker looked while working on the BSC, amirite?

So Mavis, Theron’s character, is a ghostwriter for a YA series called Waverly Prep, which I imagine to be more in the Gossip Girl vein than the BSC or SVH, but whatever. The thing that stuck with me, besides the realization that ghostwriter for a YA/middle grade reader series is kind of a dream job for me, is that the fact that the series has just been CANCELLED is a plot point that’s kind of floating in the background the whole time, and, in my opinion, the thing that really sets off Mavis’s mid-30s crisis, even more than the fact that her long-ago boyfriend had a baby and is apparently happy.

This, of course, brought to mind the BSC and its end in 2000. The end of the BSC has always been spun as, “Ann decided it was time for the thing to end,” but it’s always struck me as more PR than truth. Let’s look at the facts:

  • Before the introduction of Friends Forever, they redesigned the Mystery series, only to use the new covers for, oh, three books. Now, it’s possible that the art department and the editorial department just didn’t communicate that well, but it says to me that Friends Forever was something that was moved along quickly and was somewhat of a surprise to those who worked on the series.
  • California Diaries and Little Sister ended without a satisfying, wrap-everything-up ending, whereas Friends Forever had Graduation Day. The Claudia/Alan, and yes I am just going to go with this fantasy of mine here, Mary Anne/Cary (or at least Mary Anne-on-her-own) plotlines were not resolved. Stacey/Ethan also didn’t really get a satisfying conclusion.

    It seems to me that the ending of the BSC, and perhaps even the transition to Friends Forever, was more sudden than Ann & Co. let on. It would have been fairly easy to put together Graduation Day, because it’s the obvious conclusion to the series. It would have been harder to decide a proper sendoff for Ducky and Karen. Perhaps the California Diaries team and the Little Sister team didn’t even know they were being axed alongside the BSC and figured that rumors about the end of the BSC wouldn’t affect them–maybe Little Sister had better sales than its big sister series, much like how the Full House “Michelle” books were being published long after ABC cancelled the show. I’m not sure how good California Diaries sales were, but I can see them attracting the audience that felt embarrassed to be buying the BSC, but still wanting to feel some connection to the characters.

    It’s entirely possible that only the FF editorial team was given enough notice to properly finish out the series. Maybe the LS and CD people had a whole bunch of books outlined that they never got to finish. I’d ask @PeterLerangis, but I’m sure Scholastic made him sign a blood oath to never tell the true story.

    One of the things that struck me about the plotline in the film is that they did in fact use the word “cancelled,” exactly as you would for a television series. I guess it makes sense for a book series as well; I had just never thought of that way. I had always seen the end of a book series as more as an agreement between the author and publisher, not the publisher deciding to no longer publish the books. Looking back on it, I think this is probably a naive attitude to have about how the publishing world works. Just like how many cancelled series have episodes in the can that will never air, I am sure that many book series had more plots outlined and new characters in the wings that never ended up on bookshelves.

  • The books that have been reissued (#1-#8) will be available for Kindle October 1st! Very cool. Make sure to let Scholastic know that we want MOAR BOOKS. C’mon, The Ghost at Dawn’s House!

    Also, here a video about Ann’s uncle (I think that’s the relation?), Charles E. Martin, and his life in Maine and his art:

    C.E.M. a life in art from Jared Martin on Vimeo.

    From The Cartoon Bank. It’s very informative about Ann’s family history, if you’re at all interested.

    And here are the first two chapters of Ann’s new book, Ten Rules for Living with My Sister.

    Sweet Valley Confidential, the long-awaited “reunion” book for the Sweet Valley High universe, came out this week, a cause for much excitement for twenty- and thirty-somethings who grew up with Liz and Jess.

    Shockingly to some, Sweet Valley was never my thing. I started with BSC at age six, and I think my mom felt that I was too young for Sweet Valley High, too advanced a reader for Kids, and dear god just look at all the spinny racks of Francine Pascal; I AM ALREADY LINING ANN M. MARTIN’S COFFERS EVERY MONTH. CHOOSE ONE. So I think the number of SV books I ended up reading adds up to less than ten.

    I bought Sweet Valley Confidential anyway, because I needed some light reading on my Kindle, I’m running out of trashy celebrity tell-alls, and Meg Cabot’s new book isn’t out until the middle of the month. (SO excited for Abandon!) I actually haven’t finished reading it yet, because having never really been a fan, it’s just not as much as a page-turner for me as it for those who grew up wanting to be size six blonde beauties with eyes the color of the California ocean. Or alternatively, Lila Fuckin’ Fowler. Anyway, I am only like a third or so of the way through, which is unusual for me because in third grade my teacher called me a liar because I read faster than she did.

    The question that SVC brings up for me, of course, is whether such a book would work for the BSC. We already have the The Summer Before, which I think works okay as a prequel, even though I don’t like how it messed with canon a bit. Ann has pretty much categorically denied that there will ever be a book featuring the Sitters after eighth grade graduation, but she also had, in the past, said that there won’t be ANY new books featuring the girls, and we got The Summer Before, so let’s examine the possbilities and the logistics.

    A book like Confidential, with the girls aged ten years or so? I honestly have a hard time seeing it work, and wouldn’t even really want it. I like that we can explore our own ideas for the girls’ futures in fan fiction, and it’s not set in stone that so and so got married/divorced/had babies/came out/became an executive/became a ne’er do well who never moved out of his parents’ basement (Hi, Logan!). Also, frankly, I don’t really see Ann has an adult/chick lit writer, or even a writer for an older YA audience. I don’t think she’s really a writer who wants to deal with sex, drugs, alcohol, and more adult topics. I think she handled more “adult” storylines deftly in Main Street, but in a PG fashion. I just don’t see her wanting to introduce adulthood to the BSC.

    I can see a Confidential-type book working, however, for California Diaries. It would be THE BEST THING EVER. Bring in Peter Lerangis to write it! The CD books were always more adult than BSC, and touched on issues in a way that would shock the shit out of Stoneybrook. So yes, bring on Palo City Confidential!

    I do think that a BSC-in-High School book or miniseries would work. Maybe bring Stoneybrook up to Palo City-levels of issues beyond “Wow, why do all of the parents in Stoneybrook suck?” Bring in a little bit of sex and controversy, just not as much as in the adult lives as our Sweet Valley friends. This is, I think, the most likely scenario for any kind of BSC reunion book.

    Ann has said that she has no plans to write a reunion book, and prefers that readers are able to imagine the girls’ future themselves. But she had also said that she would never write a new BSC book of any kind, and we ended up with The Summer Before anyway. Sweet Valley Confidential seems to be doing pretty well, if the excitement across the non-fandom blogosphere is any indication. Scholastic might take note of the possible very large dollar signs. The problem with The Summer Before is that it is very much a book aimed at middle grade readers. Parents who were fans as children might want to buy it for their kids, kids might be interested in it, and super diehard nostalgists might want it, but it’s not something that most adults would buy for themselves. Whereas Sweet Valley Confidential appeals to both teenage readers who weren’t around for SVH the first time around AND to readers who are now adults, who are ok with reading a trashy novel about people in their own age group. While a book about high schoolers isn’t quite the same thing, I can see people wanting to know what happened to the girls once they finally graduated from eighth grade, after a sisyphean thirteen-year run.

    What do you think of the BSC’s reunion book possibilities?

    Luxken27 has been going through her personal VHS stash and has posted some interesting videos to the Baby-Sitters Club LJ Community that I’ve never seen before.

    The first is an Ann M. Martin interview from 1992, where the Mickey Mouse Club picked one very lucky girl to spend the day with Ann M. Martin. It offers some interesting behind-the-scenes looks at the process of creating the books way back when. Also, I do not believe the girl realized her dream of becoming just like her favorite author. Bummer!

    And here are some cast interviews dealing with the movie. It does not provide a voyeuristic view into Scholastic publishing, but it’s interesting nonetheless.

    Also, in VERY IMPORTANT BIG DEAL NEWS, Boy-Crazy Stacey is up on Amazon. Thanks wanderingfrog for the heads up!

    Ann’s mother passed away the day after Christmas. Her obituary is here, along with a list of charities that you might donate to in her memory.

    As many of you probably know, Ann’s mother had been ill with Alzheimer’s for many years, and Ann’s portrayal of Mr. and Mrs. Willet in the Main Street series is based on Ann’s experiences with her mother. I read the most recent two Main Street books the other day, and the chapters about the Willets brought tears to my eyes. I can’t imagine what it’s like to have someone you love be there physically, but not mentally.

    Let’s keep Ann and her family in our thoughts during this difficult time.

    In the 90s, I remember seventies stuff being pretty cool. That is how we ended up wearing bell bottoms and velveteen tops in 1997. The last few years have been all NEON! RAYBANS! LEGGINGS!, culling its sartorial influences from the 80s. There’s a 20-year cycle of fashion, when things have faded from memory just long enough to stop seeming hideously ugly.

    Thus, we have started to see a 90s revival, both in fashion and in entertainment. Beverly Hills, 90210 is back on air, as is Melrose Place. Of recent book releases, the book I’ve heard the most about is Girl Power: The Nineties Revolution in Music by Melissa Meltzer, which has insipired even those who weren’t even alive at the time to listen to Bikini Kill.

    It’s no surprise, then, that both the Baby-Sitters Club AND Sweet Valley are coming out with new books. (Yes, the long-awaited Sweet Valley Confidential is being released.) Had these books been released five years ago, only those of us diehards in the fandoms would have cared. The sales would have resembled those of the attempted revitalization of the series that was Friends Forever, if that. But now enough time has passed since the heyday of these series to mean that people who were readers the first time around might have kids of their own of BSC/SV-reading age. Those who don’t have kids might check out the books just out of pure nostalgia, and old enough now to not be embarrassed about being seen buying them Teachers and librarians, also of the first generation of readers, can introduce the books to the kids they work with. When the graphic novels came out, I think it was just slightly too early for all of this. Only the hardcore fanbase seemed to be interested, for the most part, and I don’t remember as many writeups across the internet. Jezebel, for one, has been following the reissues/prequel story for as long as the fandom has.

    While ten years ago, Ann said she was simply “done” with the characters, perhaps the real implication of her words were that, outside of her hardcore and aging fanbase, the public was done. They were a relic, overshadowed by new phenomena like Harry Potter. Even a graphic design upgrade and less focus on baby-sitting couldn’t obscure the fact that their time was over. They were innocent books without anything supernatural. But now twenty- and thirty-somethings seem to all be infected with a sense of early 90s nostalgia.

    Maybe Ann saw the marketing opportunity and seized it, or her editors gently suggested it to her. Or perhaps, she, too was nostalgic for the BSC’s heyday, and wanted to revisit these characters.

    Yes, I know that it has been about two months since I last posted. What have I been doing? Well, I moved. I moved to a place where I could not take my BSC books. I have been quite distracted by my real life, and in all honesty have not been thinking much about the BSC. My mind has been occupied by things like, “How can I pay my tuition if I can’t get a student loan because my university has no association with the US banking system?” and “Oh fuck my head hurts from this hangover.” I had a few topics I wanted to write about, but I just never got around to forming the ideas to the point where I could write a meaningful blog post about them.

    BUT THEN SOMETHING TOTALLY UNEXPECTED WAS DISCOVERED YESTERDAY, THE BIGGEST NEWS SINCE THE YEAR 2000 WHEN THE SERIES ENDED. If you care enough about the BSC to follow this blog, then you probably about know about it. Adri posted this yesterday in the BSC livejournal. I haven’t read the comments yet, because I wanted to write this post completely unbiased. But anyway, A NEW BSC BOOK IS COMING OUT APRIL 1ST. It is a prequel called The Summer Before, which takes place the summer before seventh grade. You can read the summary in the link to the BSC lj.

    What are my thoughts on this? I have many.

  • Is this the start of a series of prequels? Will we have books that take place when the sitters are even younger? Or is this a one-off thing?

  • Perhaps, instead of a bunch of prequels, we’ll next have The Summer After, which would take place after Graduation Day. Now, I have mixed feelings about the idea of a “reunion book” in general. I kind of prefer us all being able to imagine what happened to the girls ourselves.
  • While a prequel is exciting, we do all know, say, what happened to Stacey the summer before seventh grade. The Claudia plot, though, intrigues me.
  • How will it be written? I imagine it will be more like Main Street than BSC. I doubt we will have, say, a Chapter Two.

  • Speaking of Main Street, I wonder how this will affect Ann’s Main Street effort. Will she abandon it in favor of more BSC? Or is this, as I noted above, just a one-off thing and will not affect Main Street at all? Does anyone know how well Main Street has sold?
  • This is perhaps the most important question of all: Does this indicate a potential, at least partial, re-release of the series? It’s hard to imagine having a prequel released for a series that has been out of print for years. Although the graphic novels are still in print, and the book will only be about the original four, so perhaps Scholastic doesn’t deem a re-release necessary.

    I will go more in depth about my various thoughts about this news in subsequent postings. But I just wanted to get something up here, and just bang out a few of the reactions floating around my head. What reactions do you guys have to this news?

  • One of the main complaints about later BSC is that so many talents are exaggerated. Jessi becomes an INTERNATIONAL PRIMA BALLERINA. Mallory is no longer just a girl who writes stories about mice wearing high-tops, she’s a future best-selling author. Stacey is better at math than anyone else in Connecticut. In the beginning, before ghostwriters, fans argue, Jessi was just a girl who liked to dance and didn’t want to go pro. Dawn would sometimes eat a piece of cake, provided she had a toothbrush handy.

    I don’t often reread the earlier BSC books. The later ones, for me, capture the flavor and time of my childhood and hold more nostalgic appeal. Sure, I’ll agree that the writing quality goes a little downhill (but I stick out my tongue at all of the Peter Lerangis haters), but I don’t read BSC for quality writing. I simply just don’t get the urge to reread the early books all that often.

    Well, lately, I’ve been in an early book mood. I recently reread Jessi’s Secret Language, and I really think that it invalidates the above argument for why the earlier books are better. Let’s review.

    Jessi’s Secret Genuisness
    Now, if Jessi were a member of the Glass family, this book might be believable. We’re told at the beginning that Jessi is good at languages. But there’s a difference betweeen “being good at languages” and “being a savant.” Jessi begins sitting for the Braddocks, Mrs. Braddock hands her a dictionary and shows her the sign for “bathroom,” and suddenly Jessi is able to have competent, complicated conversations.

    As somebody who spends a lot of my life dealing with learning and teaching foreign languages, this made me shake my head. ASL has a different grammar than English. There are no synonyms or cognates, because you don’t use speech. You absolutely have to learn every sign individually. Even the best student can’t say as much as Jessi was saying in ASL after a few classes of Spanish I, and Jessi wasn’t even taking classes. And everyone else in Stoneybrook seemed to be learning just as fast.

    Either Ann has never learned a foreign language in her life (although for some reason I recall her studying a few semesters of French…?) or she, too, is a real genius.

    2. Jessi Ramsey, Best Dancer Ever
    The subplot in this book, which mainly exists for Jessi to do a Really Nice Thing for Matt Braddock, is the production of Coppelia that is going on at Jessi’s dance school. Now, just so you don’t get confused, Jessi’s not just in the corps or something. No, Jessi is freaking SWANILDA. Now, the school only seems to go up to age 14, so MAYBE it could be believable that they’d cast an eleven-year-old–but I still doubt it. But the really unbelievable thing is that Jessi has time to become fluent in sign language AND star in a ballet AND go to school AND do other baby-sitting. It’s being a star or the kids, Jessi. Choose one.

    I guess that what bothers me about both of these things is that they’re so… unnecessary, I guess? Jessi could have arranged the show for Matt even if she was a dancer in the corps. She also could have had the same “introducing Matt to the kids and learning some signs” plot without becoming practically fluent in three days. I’m just not sure what the point of making Jessi so AMAZING was.

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